R. Srinivasan: A Profile (Part 2)

Please see yesterday's post for Part 1 of this profile of my great-grandfather.

PART 2
Prof. R. Srinivasan
(1887-1975)
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Patron & Promoter of Music
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[from L to R] My grandmother, her father
(Prof. Srinivasan) and her mother

Father was equally, if not more interested in music, as in studies. He did not have any formal training in music from any guru. But purely by his own effort, he acquired a vast knowledge of the subject. During utsavams and processions of deities, great nagaswara vidwans like Semponnarkoil Ramaswamy Pillai used to perform. He would follow a procession till it did the rounds of the four streets and the deity returned to the temple precincts and only then come home to bed. This must have been the main influence, but, of course, he must have had 'poorva janma vasanai' [karmic influence] too, enough to overcome my grandparents' apathy. My grandparents were the kind who would ask: "What is the price of a tola of sangeetam?!!"

Father was a very contented man. He was just not interested in making money, though he earned very well for those days. He had a number of job offers, but took up teaching as Assistant Professor of Mathematics in a college in Tiruvanantapuram. The standard pay was only 100 rupees a month, but the Dewan of Travancore, who personally canvassed Father's services, increased it to 150 rupees specially for him! Father took up the post in 1910, I think. He was known as 'Professor Srinivasan' even after he became Principal, which was the position he held when he retired. He stayed in Tiruvanantapuram till 1948.

In Tiruvanantapuram, all the people -- in college, in the palace, in the Government -- has great respect, love, and affection for Father. There were only seven or eight students in his B.A. Honours class. he would teach them in such a way that they barely noticed the passage of time and were astounded when they realised how much they had learnt! He was also feared and respected as he was a very strict disciplinarian. Even though I am his only child, he used to be very strict with me too. He used to say: "If there had been more children, each one could be different, but you, as an only child, should have all the good qualities."

Father was also an actor. Even in his school days, he was conducting dramas with some of his friends. Though he was himself not conducting such programmes in his Madras days, he used to attend many concerts and dramas there. In fact his uncle was concerned that he was not paying enough attention to his studies. When questioned, he would retort: "You see my marks and then question me." And, as he always stood first, there was not much that anyone could say! The love for drama continued in Tiruvanantapuram. He organised a drama troupe with some of his friends; I think it was called the Amateur Dramatics Club. He would take up any role from beggar to king. He mostly took female roles. He used to wear a sari very gracefully. When he selected saris for my mother, he would consider whether it would be suitable for his female roles too! Sankara Subbier, who later became Justice Sankara Subbier in Tiruvanantapuram, was a very close friend of his. In the drama 'Manohara,' Subbier used to be Padmavati and Father Vasantasena. I have many photos of scenes from his plays and also of his lady-part roles. [See photo on front cover shown in Part 1]

Since Father used to sing well, he also would take roles in which the actor had to sing. In one play, there was a scene in the king's durbar and Father gave a regular kutcheri! In fact, I remember that the scene required a fat bhagavatar and Father tied pillows onto his middle to appear bulky!

Father was connected with various other activities as well. He was very active in the scouts movement and was the Scouts Commissioner for some years. He was also connected with the YMCA, the YWCA, and the Tamil Sangam. He was, too, one of the trustees of the Sanatana Dharma School in Alleppey. He worked a great deal for theosophy too. In those days, many regarded theosophists as non-believers who had no faith in our religious traditions. Father worked towards removing this misconception. He used to explain: "Theo means god; it is not that the theosophists have no faith in god, but they reject superstitions. They keep the essentials and do away with the meaningless rituals." The theosophists' motto is: "There is no religion higher than Truth," and they believed in "universal brotherhood." Father propogated this theosophy all over Kerala. he was also a great admirer and follower of Dr. Annie Besant, whom he knew personally. Every year during the annual conference in Madras, my parents and I used to come to Madras to attend it.

[continued in Part 3]